Typography
The Foundation’s typographic voice is bespoke to the institution. It is designed to engage with the nuance of Paulinne’s contributors and disciplines, providing a coherent framework through which diverse forms of expression can emerge. The system combines three typefaces, with the serif typeface Magister at its core. Its structure is dynamically adaptable, capable of shifting between contemporary research contexts and expressive artistic outputs. Reflecting the complexity of the systems it represents, the typographic framework enables fine-grained control over textual hierarchy, while also allowing for decisive shifts in tone and mode of communication. The following pages introduce the three Foundation typefaces, the system by which they combine and devices by which to structure a page or asset.
Introducing the typeface
Magister
Magister, set in medium weight, forms the typographic foundation of the Paulinne identity. Designed by Aldo Novarese in 1966, Magister is a modern Roman–transitional typeface that bridges the classical elegance of mid-century Italian typography with the functional clarity associated with Times New Roman. It offers a cultivated alternative to the latter’s utilitarian character, retaining authority and high readability while introducing greater refinement and stylistic presence. The version used by the Foundation is a contemporary revival of the original design. As such, it extends Magister’s inherent legibility by re-evaluating spacing, proportions, and inter-letter relationships for both print and digital contexts. Magister Bold Extended should never be used across the identity and is only applicable within the core and sub-logo symbols.
Typefaces
Supreme LL
In keeping with the premise of revival typefaces, Supreme serves as the Foundation’s sans-serif counterpart within the identity system. Its role is to provide an alternate voice and visual language that works coherently with Magister, supporting a contemporary, flexible, and expressive typographic system. Supreme is a reinterpretation of Futura, built on principles of pure geometry while rethinking how such construction functions within today’s digital contexts. As a modernist voice, it merges unexpectedly well with Magister, aligning through shared character heights and proportional logic to form a balanced and considered pairing. Its geometric emphasis subtly distances it from the ubiquity of classic Futura, while aligning its essence with the radial and structural forms of the sundial framework.
The Inter family includes multiple weights, but our core usage relies on Regular and Semibold. Regular is ideal for paragraphs, captions, and long-form reading. Semibold provides contrast for headlines, navigation, and key highlights.
Weights
Inter Family.
WEIGHTS
Basic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
Punctuation
% # & “ ‘ ^ ° * ! ¡ ? ¿ @ ( ) / | \ [ ] { }
‰ ‡ † § ¶ © ◊ ✓ ℓ ® ™ • • – – — _ . : ; … , „ “ ” ‘ ’ « » ‹ ›
Symbols
∫ Ω Δ Π Σ ∇ µ ∂ π + – × ÷ = ≠ > < ≥ ≤ ± ≈ ~ ¬ ∞
฿ ¢ ¤ ¤ $ € ƒ Ƶ ₤ ₣ ₪ ₧ ₱ ₹ ₨ ₩ ¥ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↵
Accented characters
Á Ä Â À Ã Å Ā Æ Ć Č Ç Ð Ď É Ê Ë È Ė Ę Ğ Ģ Ī Í Î Ï İ Ĵ Ķ Ĺ Ľ Ł Ñ Ń Ņ
Ó Ô Ö Ò Õ Ø Ō Œ Þ Ř Ŕ Ś Ş Ŧ Ť Ţ Ú Û Ü Ù Ū Ų Ù Ŷ Ÿ Ž Ź
á ä â à ã å ā æ ć č ç ð đ ď é ê ë è ė ę ğ ģ ī í î ï ĩ ĵ ķ ĺ ļ ľ ń ň ñ
ó ô ö ò õ ø œ þ ř ŗ ś ş ß ŧ ŧ ť ť ú û ü ù ū ų ÿ ý ž ź
Figures
0 1 2 3 4 5 6 7 8 9 ½ ¼ ¾
₀ ₁ ₂ ₃ ₄ ₅ ₆ ₇ ₈ ₉
⓿ ① ② ③ ④ ⑤ ⑥ ⑦ ⑧ ⑨
❶ ❷ ❸ ❹ ❺ ❻ ❼ ❽ ❾
Visual Identity system
Type Hierarchy
Typography defines how we organize and emphasize information. A clear hierarchy helps readers navigate content easily, ensuring each element from headline to captions works together. with balance and intent.
Subtitle
Use Inter Semibold to introduce supporting content.
We create tools that help teams work smarter, move faster, and stay consistent across every brand touchpoint.
Body Copy
Use Inter Regular for longer text.
Design is about more than aesthetics, it is about communication, clarity, and purpose. Every element, from color to type, contributes to how people experience a brand. By combining thoughtful design systems with flexible tools, we enable teams to express creativity without losing coherence.
typography
Incorrect Usage
Consistent typography ensures a clear and recognizable brand voice. Avoid altering type treatments or applying styles that reduce legibility or disrupt hierarchy. The following examples illustrate common mistakes to avoid.
Brand image 1
Don't Stretch or Distort Type
Never compress, expand, or warp typefaces. Always scale proportionally to maintain design integrity.
Brand image 1
Don't Use Unapproved Fonts
Only use the designated brand fonts. Substituting other typefaces compromises consistency and visual identity.
Brand image 1
Don't Mix Too Many Weights or Sizes
Limit variations to the approved hierarchy. Using too many combinations creates visual clutter and weakens structure.
Brand image 1
Don't Adjust Tracking Excessively
Avoid overly tight or wide letter spacing. Keep spacing consistent for readability across all applications.
Download Fonts
Access our approved typefaces for all brand and communication use. Installing these fonts ensures consistent typographic styling across every platform and touchpoint.
Download Fonts
View Guides
Explore our typography principles, including hierarchy, spacing, and tone of voice alignment. Learn how to combine type, weight, and scale to create impact while staying true to our brand personality.
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